Internet Killed The Video Star
Film & TV Writer Muireann O’Shea examines the ever-changing landscape of television and the cultural frenzy of binge-watching. Have you seen the latest advertisements…
Film
Film in Review: SWISS ARMY MAN
Every now and again excellent films pass and go unnoticed or underappreciated. This can be due to their abstract plots, their unprecedented characters that…
The Raw Colours of Hindi Cinema
Paurush Kumar, Film & TV Writer, casts a critical eye over Bollywood Cinema in an attempt to highlight its cultural history and pinpoint how…
Hunt for the Wilderpeople: Film Review
Taika’s Waititi’s follow-up to the delightful What We Do in the Shadows does not disappoint. When troublesome, orphaned teen Ricky Baker (Dennison) is taken…
FILM REVIEW: HELL OR HIGH WATER
Hell or High Water, at its core is a revitalised take on the Western genre set against the backdrop of a dusty, seemingly empty…
Winter is Coming: A Look at The Rest of 2016 in Film
So there you have it, the silly season of summer blockbusters is over and done with for another 12 months. We had some great…
Warner Brothers’ Studio Tour, London
It isn’t often that an opportunity comes along to explore the hidden magic behind one of the biggest movie franchises of all time, and…
International Film Review: “Loulou” 1980
If you’re looking at this feature in search of an original narrative, keep going. It’s the characters, and by extension the actors, that make…
Review: Downfall
Sinead Keane reviews one of German cinema’s masterpieces, Downfall. Released in 2004, the film follows the emotionally complex course of Adolf Hitler’s final days….
Christmas Movies of the 1990s
90s kids assemble! This list will not only take you on a walk down memory lane (the scene when little Macaulay Culkin slaps aftershave…
Review: Eirtakon 2015
Niamh Crosbie reviews Eirtakon, which took place over the weekend of November 13th 2015. One of Dublin’s most iconic venues was taken over by…
Films of the World: No End (Kielsowski, 1985)
Barry Monahan reviews Polish director Krzysztof Kieslowski’s politically charged No End; the first in a new series of international film reviews. Widely regarded as…